Thursday, June 26, 2008

DJ Wigs interview

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FIRST OFF, WHAT DO YOU WANT PEOPLE TO KNOW ABOUT YOU?

I'm a DJ that is committed to Hip Hop first and foremost. Not only every night that I play but every day that I live I am dedicated to it. I owe all that I am to the culture of Hip Hop. In furthering that here in Honolulu I've co-founded a website at HNLHipHip. com that is dedicated to showcasing Hawaiian Hip Hop to the world and bringing the world of Hip Hop to the island. At the same time it also connects the island to itself so that everyone may know what's going on at different venues and realize how strong the culture is on the island.


TALK ABOUT SOME YOUR MEMORABLE ACCOMPLISHMENTS TO DATE?

I co-founded an extremely successful college radio show at the University of Tennessee for which I was the resident DJ for two and half years (that is still running), opened for acts such as People Under the Stairs and Supastition, played in venues all over the southeast, and have always held a commitment to the music and culture that is rarely equaled by my peers.

HOW DID YOU GET YOUR DJ NAME?

My name actually comes from the racist term "wigger". When I was in High School in Tennessee it was assumed that anyone that dressed like I did, spoke like I did, loved the music like I did, and was always reading The Source and XXL must have mistakenly thought they were black. Eventually the term "wigger" was shortened to Wigs and even my close friends began calling me that. When I began deejaying at age 16 the name was already so much a part of my identity that I held onto it and embraced it to show all of those around me that it was not a case of mistaken identity but rather a music and culture that lived inside me.

IS "DJ WIGS" THE SAME PERSON AWAY FROM THE TABLES OR IS YOUR SELF AND THE DJ WIGS PERSONA DIFFERENT? IF IT IS HOW SO?

Actually, Wigs is more me than my actual birth name of Jonathan. Jonathan is the face put on for the world in order to be accepted in business circles (kind of like Shawn Carter is to Jay-Z) and other places where Hip Hop culture is not understood or seen as legitimate. Honestly, at my core, Wigs is who I truly am and always will be.

PARTIES THAT PLAY EXCLUSIVE HIP HOP ARE HARD TO FIND AND DON'T DRAW THE HEADS LIKE IT ONCE USED TO, DOES THAT BOTHER YOU? WHY DO YOU THINK THAT'S SO?

Hip Hop is experiencing, for the first time in our history, a generational gap. This means that there is a great deal of difference in what the 25+ crowd likes as opposed to the 21 and below audience. Hip Hop is just coming to terms with the idea of the music and culture also being for grown folks as we are the first generation to grow up with it. I'm one of the youngest members of this first generation. As we accept this more and embrace it more there will be a plentiful amount of venues that cater to what our crowd wants. This period where it seems that "real" Hip Hop shows are declining is really just a growing pains period that will pass. I'm in an interesting position to understand both generations and appeal to both without losing credibility from either. I'm really blessed in that regard.

WHAT DO YOU THINK SEPARATES HAWAII'S SCENE FROM PLACES YOU'VE BEEN IN THE MAINLAND?

Because Hawai'i is so far from the epicenter of Hip Hop culture it has developed a really unique brand all it's own. It has a heavy concentration on initial appearance and is coming into it's own on understanding the history. This will come with time and there are a lot of great DJs and event promoters that I'm pleased to join that are doing a lot to further that here on the island and for that we should be very thankful. In contrast, the mainland has a regional understanding of Hip Hop in that New York is vastly different from the South which is vastly different from the West. Hawai'i has not been affected so much with that type of sectarianism and has been in the fortunate position to embrace it all (although there is clearly a West Coast bias here). That's also a testament to the multiculturalism of the island.

ARE YOU SPINNING REGULARLY AT THE MOMENT?

At the current moment I spin regularly at Indigos on Wednesday and Friday nights.

IS IT HARD BEING A DJ IN HAWAII SINCE THE TREND SEEMS TO BE, CLUBS AND PROMOTERS STICK WITH THEIR DJS?

It has been hard breaking into the scene here in Hawai'i. It's taken me about a year to really get going and it's clearly about who you know. Good music is good music though and when it's skillfully and tastefully presented it's only a matter of time before that allows you to meet the right people to put you on.

WHO HAS INSPIRED YOU? HOW DO YOU TRY TO INSPIRE?

My inspiration draws very heavily from Jazzy Jeff, Jam Master Jay, Mick Boogie, my mentor 45 Revolver, DJ Premier, Pete Rock, and the late great J Dilla. I've always strove to be as versatile as a DJ as I could. I'm not just a club, or radio, or scratch, or background DJ. I'm someone that you can call upon in almost any situation to DJ and will represent to the fullest on any occasion. So in that, I try to inspire others to do everything that they do in life to the fullest of their abilities and to never limit themselves to a particular category of what they think they are capable of doing. For every club goer that steps through the doors to a venue that I'm playing I want to inspire in them a deeper love for the music and the culture. If my sets make you go home, do your homework, and learn more about the artists and Hip Hop in general, then I have done my job.

Kaba Modern interview

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KALANI: Asian is the majority instead of the minority in Hawaii, besides being an all out syck crew. As far as Hawaii goes, a Kaba Modern esque type of crew would be bananas. How are you received in the Cali. area? Are you supported by mainly Asians or all races as a whole?

Lawrence Kao: It may seem as if the majority of people that support us from Cali are actually mostly Asian, but as a whole our supporters come from all races. Whoever watched the show seemed to enjoy what we were doing and received us positively.

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Cindy Minowa: Well we come from a majority all Asian industry so I feel like that's all we know. To be honest I have no idea how we are viewed from other communities. I'm sure if they aren't Asians or have an interest in the dance community, they probably have no idea who we are haha. In general I feel the support everywhere I go. For instance, I got hook ups on my new phone because the workers at the t-mobile store recognized me from the show! (And they weren't Asians) Yay! :)

KALANI: As far as your "performance/battle" with Jabbawockeez at the Asian Excellence Awards, was that the first time you danced with Jabba after the ABDC final? What did you take away from the award show appearance?

Lawrence: Yeah, that was actually the first time we danced with Jabba after the show. The award show made us feel as if we actually were an important aspect of the Asian entertainment community. The show appearance solidified the fact that we did inspire many, and did make us and others proud to be Asian.

Cindy: Yes it was our first and only time (yet) to perform with Jabbawockeez since the show. At the award show I met so many aspiring celebrities and I feel like I've been recharged with so much more motivation to truly reach for the highest goals. I've made a lot of connections and networking through the award show as well.

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KALANI: From a mental, dancing style, networking, understanding the entertainment biz aspect, what did you learn from the show? How do you incorporate that into what you do now as a dancer, person, professional?

Cindy: I've learned that as long as you work hard on something you believe in, something good WILL turn out. You can't just sit there and dream. You gotta do something about it and make it happen yourself because you only live once. I constantly remind myself that there is always room for growth no matter what industry you're in or where you're are in life. As of now, I'm looking forward to continue to train as much as I can, not to book more giggs but because I want to do this for myself and be the best dancer that I can be.

Lawrence: Being on the show provided us with a glimpse of how the entertainment industry would be as a dancer. In the end it made us grow up a lot quicker as professionals in the entertainment world. We still have a lot to learn but are slowly developing different networking and business minded understandings of how to grow as individuals in the entertainment industry.

KALANI: What crews have you kept in contact with?

Jia: Well on the show being stuck in a hotel together definitely forced the crews to all get really close and everyone had a huge respect for what the others did. We made a contact list of all the crews so that everyone could stay in touch. Kaba has definitely remain very close to Jabbas and the Fyshies. We had a workshop in New Jersey with Iconic. Next weekend we will be doing a show in Boston with Status Quo and Break Skate, but for the most part I think everyone in Kaba has kept in contact with at least one person in every crew.

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KALANI: In a perfect world Kaba Modern being an Asian hip-hop crew would be a non-issue, to some it is? How is that GOOD and BAD?

Jia: Honestly there are hundreds of all Asian crews out there; we are just the lucky ones to open America’s eyes to them. The good is that the whole world took notice that we were all Asian which created a huge fan base and because we were all Asian and did so well on the show we were also able to break many of America's stereotypes towards us. The bad is that America is still not used to seeing that many Asians on TV and we probably lost a lot of middle America’s votes and probably any real chance of winning the show. But as amazing as it was to have the whole world notice Jabba and Kaba breaking barriers as Asians I think we all look forward to a day when no one cares that we are Asian at all.

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Cindy: I've never experienced any issue being an all-Asian crew. The only time I felt discriminated of my own race was when we went to Canada twice for a show. Both times we were stuck in immigration with very rude security workers and the room full of only Asians. One of the workers even made an unnecessary comment of how dumb I looked with my sunglasses. Haha.

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KALANI: How much are you looking forward to coming out to Hawaii? You'll be out here long enough to really grasp and enjoy all the island has to offer. Has any of you been out here before? How will you all plan to celebrate Yuri's 23rd birthday?

Yuri: We probably mention how awesome Hawaii is going to be at least once a day! Unfortunately we'll be working most of the week with only two days put aside to explore the island! Only Cindy, Law, and Jia have been to Hawaii before so it will be the first for a lot of us! There’s a lot of things I want to do such as surf, check out the Polynesian Cultural Center, go to a luau, the list goes on! But for my birthday I just want to hang out with some turtles at the beach and swim with dolphins! I may work with island fire productions to throw an event but I would prefer a chill kick back at a private part of a beach too! Maybe all of the above? :)

Cindy: Hawaii is all I've been talkin about for the past 2 months! I've been to Waikiki before once about 4 years ago. For Yuri's birthday, I must cake her in the face then buy her lots of drinks! That's how I celebrate my family or close friends Bday.

KALANI: The youth workshop thing is a nice touch, how do you think that will go?

Yuri: We love to do workshops more than performances because we really get to work with the youth! I have a feeling that the turn out is going to be huge, a lot of fun, and probably the best day of our trip! We're looking forward to hanging out with all the youth!

KALANI: Being an Asian who sometimes hits the club JUST to dance, I already know we can "get down," thanks for smashing that stereotype and telling the world. Do you take any sort of pride, responsibility, good feeling for showing people that Asians love hip hop and dance like everyone else?

Yuri: During the hard times on the show, the times when we thought we were extremely burnt out, we would pray and constantly remind ourselves of everything that we’re presented. That pushed to work even harder. We are definitely proud to have represented all the different communities we are a part of just by doing what we love to do.

*special thank to the crew for taking the time in their busy schedules to do this…

Thursday, June 19, 2008

Next Week in the Weekly

NIGHTSHIFT: review on Recess Wednesdays at VENUS.
KABA MODERN feature
DJ WIGS Spinzone
Making The Band HOT PICK

Aloha Jabbawockeez!

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DJ Durtie Rice Spinzone

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Durtie DJ’s done dirt cheap
by Kalani Wilhelm / 6-18-2008
DJ Durtie Rice gets hyped on setting off parties in just the right way.

It wasn’t always that way for the self-proclaimed party animal. Breaking into the scene involved playing the early time slot with no one in the club. Getting paid was not an option.

How times have changed. Today, the 5-year vet has solidified his position amongst the most versatile DJs in Honolulu. Now, with gigs every night of the week, the dues that he once humbly paid are now paying him.

“My passion is deejaying. (It’s) the only thing that makes me happy,” said the Vertical Junkies go-to party rocker. “I sleep all day and DJ all night.”

Not steamed, sticky or fried, that lifestyle is just downright dirty. G’head with your bad self.

Sun & Fri at Fashion 45, Mon at Visions, Tue at Venus Lounge, Wed at O Lounge, Thur & Sat at Planet Hollywood, [myspace.com/durtierice]


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Thursday, June 12, 2008

more from the KM crew..

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KW: What crews have you kept in contact with? the most? any stories?


JIA: "Well on the show being stuck in a hotel together definitely forced the crews to all get really close and everyone had a huge respect for what the others did. We made a contact list of all the crews so that everyone could stay in touch. Kaba has definitely remain very close to Jabbas and the Fyshies. We had a work shop in new jersey with Iconic. Next weekend we will be doing a show in Boston with Status Quo and Break Skate, but for the most part I think everyone in Kaba has kept in contact with at least one person in every crew."


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KW: No sugarcoating allowed, on the real. Is there any bitterness at all for 1.) having your music changed at the last minute? 2.) not making the finals?

MIKE: "There isn't any bitterness on our end towards the show at this point. Initially, when the whole ordeal with the music happened we were definitely disappointed with the system of the show. We felt it wasn't quite fair to be judged against the other crews when we had literally one night to work on our show. But we've put that behind us and realized that everything happens for a reason. We're definitely not bitter for not having made it to the finals. Enough time has passed to realize that the way things worked out actually worked out for the better for our crew."

Monday, June 9, 2008

Q-bert at Lotus Soundbar..

Here's a few. Peep the slide show for more...

http://s67.photobucket.com/albums/h290/asiaticmajic/?action=view¤t=916a60de.pbw

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Sunday, June 8, 2008

More..


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Kalani: In a perfect world Kaba Modern being an asian hip hop crew would be a non-issue, to some it is how is that GOOD and BAD?

Jia Huang*(top right): Honestly there are hundreds of all asian crews out their we are just the lucky ones to open Americas eyes to them. The good is that the whole world took notice that we were all asian which created a huge fan base and because we were all asian and did so well on the show we were also able to break many of America's stereotypes towards us. The bad is that America is still not used to seeing that many asians on TV and we probably lost a lot of middle america's votes and probably any real chance of winning the show. But as amazing as it was to have the whole world notice Jabba and Kaba breaking barriers as asians I think we all look forward to a day when no one cares that we are asian at all.

Kalani: How tough was KM six selection process? In detail what did you have to do to make it? How strenuous was it? How many competed etc?

Cindy Minowa (top left): There was actually no competing involved. Arnel Calvario, our founder and manager, has contacted the three Kaba Modern coordinators of 2007 (Cindy Minowa, Mike Song, & Lawrence Kao) about the opportunity and the 4 of us chose the six members to be on the show.

Sneak Peak: Kaba Modern interview

check out the feature in the June 18 issue of the Honolulu Weekly

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KW: How much are you looking forward to coming out to Hawaii? You'll be out here long enough to really grasp and enjoy all the island has to offer. Has any of you been out here before? How will you all plan to celebrate your birthday?

Yuri Tag: We probably mention how awesome Hawaii is going to be at least once a day! Unfortunately we'll be working most of the week with only two days put aside to explore the island! Only Cindy, law, and jia have been to Hawaii before so it will be the first for a lot of us! Theres a lot of things i want to do such as surf, check out the polynesian cultural center, go to a luau, the list goes on! But for my birthday I just want to hang out with some turtles at the beach and swim with dolphins! I may work with island fire productions to throw an event but I would prefer a chill kick back at a private part of a beach too! Maybe all of the above?

Tuesday, June 3, 2008

Coming Soon...

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featuring Evidence and Babu of Dilated Peoples b/w Radio Bums version featuring Franky Fade and DJ Chonz